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Riefenstahl in 1923
|Born||Helene Bertha Amalie Riefenstahl
22 August 1902
Berlin, German Empire
|Died||8 September 2003 (aged 101)
|Resting place||Munich Waldfriedhof|
|Spouse(s)||Peter Jacob (1944–46)
Horst Kettner (2003-2003)
Helene Bertha Amalie “Leni” Riefenstahl (German pronunciation: [ˈʁiːfənʃtaːl]; 22 August 1902 – 8 September 2003) was a German film director, actress and dancer widely noted for her aesthetics and innovations as a filmmaker. Her most famous film was Triumph of the Will, a documentary film made at the 1934 congress in Nuremberg of the Nazi Party. Riefenstahl’s prominence in the Third Reich, along with her personal association with Adolf Hitler, destroyed her film career following Germany’s defeat in World War II, after which she was arrested but released without any charges.Triumph of the Will gave Riefenstahl instant and lasting international fame, as well as infamy. She directed eight films, two of which received significant coverage outside Germany. The propaganda value of her films made during the 1930s repels most modern commentators, but many film histories cite the aesthetics as outstanding. The Economist wrote that Triumph of the Will “sealed her reputation as the greatest female filmmaker of the 20th century”.
In the 1970s, Riefenstahl published her still photography of the Nuba tribes in Sudan in several books such as The Last of the Nuba. Active until her death at age 101, she published marine life stills and released the marine-based film Impressionen unter Wasser in 2002.
After her death, the Associated Press described Riefenstahl as an “acclaimed pioneer of film and photographic techniques”. Der Tagesspiegel newspaper in Berlin noted, “Leni Riefenstahl conquered new ground in the cinema”. The BBC said her documentaries “were hailed as groundbreaking film-making, pioneering techniques involving cranes, tracking rails, and many cameras working at the same time”.
Taken from: Wikipedia.org/google.com/leni-riefenstahl.de
Their masks, knife bouts and love dances, their extravagant paints reminding of »living Picasso paintings« do not exist with any other primitive people on earth in this form and diversity.