Connecting People with Art since 1985
SOLD
Best Cook in the Hood
by Cidne Wallace
Original Watercolor on Paper
Size 8.5″ x 11″ Approx
Cidne Wallace. She is best known for her “Always a Sistah” Collection that features images of African American women and religious or humorous quotes/phrases.
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SOLD
Praise Lord and Pass the Collard Greens
by Cidne Wallace
Original Watercolor on Paper
Size 8.5″ x 11″
Cidne Wallace. She is best known for her “Always a Sistah” Collection that features images of African American women and religious or humorous quotes/phrases.
SOLD
Cause I’m The Mama and I Said So
by Cidne Wallace
Original Watercolor on Paper
Size 8.5″ x 11″ Approx
Cidne Wallace. She is best known for her “Always a Sistah” Collection that features images of African American women and religious or humorous quotes/phrases.
Fessin’ Up
by Andrew Turner
Original Painting
Size 32″ x 26″ Approx
Andrew Turner was born in l944 in Chester, Pennsylvania. He was a graduate of Temple University’s Tyler School of Art. Andrew’s work has been widely acclaimed, with many solo exhibitions and participation in group exhibitions. He has taught art in grades K-1 2 in the Chester, Pennsylvania Public Schools and in correctional centers. His appointments include Artist-in-Residence and Curator, Deshong Museum, Chester, PA; Lecturer, Widener University; Lecturer, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; and, he toured and lectured in The People’s Republic of China. Collections which hold Andrew’s paintings include Woody Allen, Dr. Maya Angelou, ARCO Chemical Company, Bell Telephone Company, Dr. Constance Clayton, Mr. and Mrs. Bill Cosby, Edie Huggins, Eric Lindros, Mr. and Mrs Louis Madonni, Moses Malone, Penn State University, the artist formerly known as Prince, Mr. and Mrs. Harold Sorgenti, Swarthmore College, Mrs. Marilyn Wheaton, and Widener University Deshong Museum, just to name a few. He has been featured in numerous solo exhibitions and group exhibitions in the United States and abroad. His Philadelphia commissions include: WDAS FM (1996); Marco Solo, (published by J. Schwinn and G. Harlow, illustrated by Andrew Turner) Reverse Angle Productions, Inc. (I 995); and Robin Hood Dell, Fairmount Park (1985).
“My paintings combine the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the Impressionists. However, I look to the jazz idiom more so than to other contemporary visual artists for guidance and inspiration. I tend to measure the success of my pieces by how they stand up technically, emotionally and innovatively to a Coltrane solo or whether I’ve captured the spirit of the occasion, a la Ellington. The subject matter, sometimes nostalgic recollections of my days as a young tough, covers a myriad of common folk activities. The setting usually my native Chester, is a beehive of creative stimulation or a deteriorating ghetto depending on my state of mind. At the very least, hopefully, these vignettes of experience will help to provide insight into some African American lifestyles and serve as an inspiration to my students and others to continue the legacy of African American participation in the arts.”
Andrew Turner 1944 – 2001
SOLD
Olympische Spiele Muenchen (The Runners) 1972
by Jacob Lawrence
Signed and Dated by the artist
Edition 169/200
Size 25″ x 40″ Approx
Jacob Lawrence (September 7, 1917 – June 9, 2000) was an African-American painter known for his portrayal of African-American life. Lawrence referred to his style as “dynamic cubism,” though by his own account the primary influence was not so much French art as the shapes and colors of Harlem.[1]
Lawrence is among the best-known 20th-century African-American painters. He was 23 years old when he gained national recognition with his 60-panel Migration Series,[2] painted on cardboard. The series depicted the Great Migration of African Americans from the rural South to the urban North. A part of this series was featured in a 1941 issue of Fortune Magazine. The collection is now held by two museums. Lawrence’s works are in the permanent collections of numerous museums, including the Philadelphia Museum of Art, the Museum of Modern Art, the Whitney Museum, the Phillips Collection, Metropolitan Museum of Art, the Brooklyn Museum, and Reynolda House Museum of American Art.
OUT STOCK
Sunset
by Jack Van Deckter
Lithograph
Signed and Numbered
Size 17″ X 25.5″
SOLD
Fire Night Faces on Broadway V
by Karel Appel
Limited Edition Signed and Numbered
Edition 9/50
Color etching and aquatint with embossing
Size: 37″ x 31″ Approx
A founder of the CoBrA association of painters, Karel Appel rendered expressionist canvases with vibrant color, violent brushwork, and thick application of impasto paint. The artist derived much inspiration from primitive art and children’s drawings, and was influenced by contemporaries such as Jean Dubuffet, the major exponent of Art Brut. Though Appel is primarily known for his paintings that combine elements of both figuration and of abstraction, the artist also experimented with relief paintings, sculpture, and design.
OUT STOCK
Forgotten Journey (Female)
by Larry Poncho Brown
Limited Edition Signed and Numbered
Edition of 850
Size 25″ x 36″ Approx
Larry “Poncho” Brown, is a native of Baltimore, MD. He started his first business at the age of 17 as a signwriter and he has been a full time artist ever since. Poncho received his Bachelors of Fine Arts degree from the Maryland Institute College of Art, Baltimore, MD. His art, both fine and commercial, has been published nationally in Upscale, Ebony, Ebony Man, Essence, and Jet magazines. In February ’99 his art was featured in the UCLA Fowler Museum of Cultural History Textile Series No. 2 book entitled “Wrapped In Pride”. His popular works have been prominently featured on several TV shows and movies including “Soulfood”, “The Wire”, “A Different World”, “In The House” and “Avalon”. His work adorns the walls of the likes of Bill Cosby, Dick Gregory, Anita Baker, Susan Taylor, Ed Gordon and Bernard Bronner just to name a few.
In pursuing his philanthropic goals, he founded Raising The Arts which has created over 70 images to assist non-profit organizations and African American Organizations with fundraising for the past two decades. He also co-founded the Creative Quarantine which is a collaboration with other professional artists that dedicate the entire month of January to creating new experimental works.
Admirers often site rhythm, movement, and unity, as favorite elements in his work. He primarily works in acrylic, although he uses a variety of mediums and styles to express his interests in Afrocentric themes, Ancient Egyptology and dance. Poncho’s unique style combines past and present art stylizations to create a sense of realism, mysticism, and beauty, which gives his art universal appeal. “My creations are a reflection of my personal values and pay homage to ongoing themes of unity, family, and spirituality”.
Golden Lady
by William Tolliver
Limited Edition Signed and Numbered
Edition 285
Signed by the Artist
Size 32″ x 18″ Approx
Artist Bio: 1951-2000 – Tolliver spent more than 30 of his 48 years perfecting his skill as a painter. Today, William Tolliver’s art is collected worldwide. Tolliver’s style freely combines the color of Chagall with the solid compositional principles of Cezanne and the mood and forms of Modigliani and Picasso. Tolliver’s words of wisdom for the young artist were, “I would urge an art student to go to school and learn the fundamentals, because to know the fundamentals is to know the technical aspects of blending colors.”
In an age when the rules of art had either been abandoned in favor of an anti-formalist attitude or had been institutionalized in academic study, William Tolliver emerged as a brilliant self-taught artist -a Mississippi-born Renaissance man whose creative intelligence combines the study of formal structure with an innate sense of human observation. Far from the marketplace of the New York City art world, Tolliver arose during the mid-1980’s a brilliant regional talent, an individual impelled by a desire to capture the landscapes and peoples of his native deep South. Whether dealing with everyday workers or back-alley jazzmen, he conveys a universal message through sconces of the common human experience. While plaintive in mood, Tolliver’s works evoke compassion with an underlying sense of expressive emotion. “I could draw on a lot of sad and depressing things from my life, but I’d rather emphasize the positive.” An artist of insight and natural ability, Tolliver is a deliverer of an artist message imbued with unique expressions and spiritual enlistment. Tolliver was born in Vicksburg, Mississippi. Although his mother worked in the cotton fields by day, she found time to rear and help educate 14 children. To stimulate their interest in learning, she often challenged William and his older brother to drawing contests. Discovering William’s talent, she borrowed art books from the library that exposed her son to the works of the European masters. His astute observation led him to study subjects from books, black-and-white photographs, nature, comics, and family members who posed as models. Since the local public schools did not have an art curriculum, Tolliver continued his course of self-study. From inexpensive dime-store watercolor sets purchased with money earned by mowing lawns, Tolliver learned to mix and blend colors by using a paint-by-number kit. Using this system he experimented with mixing color and skin tones and by the age eight was able to create academically correct paintings.
Make Offer – Ask Question
Extremely low offers will not be considered. Please do not make offers if you are not serious about buying this item.
An October Gallery ArtPro will respond to you as soon as possible.
If you prefer a telephone follow up, please leave your phone number.
Reclining Nude
by William Tolliver
Limited Edition Signed and Numbered
Edition 350/ Lithograph
Size 55″ x 36″
Artist Bio: 1951-2000 – Tolliver spent more than 30 of his 48 years perfecting his skill as a painter. Today, William Tolliver’s art is collected worldwide. Tolliver’s style freely combines the color of Chagall with the solid compositional principles of Cezanne and the mood and forms of Modigliani and Picasso. Tolliver’s words of wisdom for the young artist were, “I would urge an art student to go to school and learn the fundamentals, because to know the fundamentals is to know the technical aspects of blending colors.”
In an age when the rules of art had either been abandoned in favor of an anti-formalist attitude or had been institutionalized in academic study, William Tolliver emerged as a brilliant self-taught artist -a Mississippi-born Renaissance man whose creative intelligence combines the study of formal structure with an innate sense of human observation. Far from the marketplace of the New York City art world, Tolliver arose during the mid-1980’s a brilliant regional talent, an individual impelled by a desire to capture the landscapes and peoples of his native deep South. Whether dealing with everyday workers or back-alley jazzmen, he conveys a universal message through sconces of the common human experience. While plaintive in mood, Tolliver’s works evoke compassion with an underlying sense of expressive emotion. “I could draw on a lot of sad and depressing things from my life, but I’d rather emphasize the positive.” An artist of insight and natural ability, Tolliver is a deliverer of an artist message imbued with unique expressions and spiritual enlistment. Tolliver was born in Vicksburg, Mississippi. Although his mother worked in the cotton fields by day, she found time to rear and help educate 14 children. To stimulate their interest in learning, she often challenged William and his older brother to drawing contests. Discovering William’s talent, she borrowed art books from the library that exposed her son to the works of the European masters. His astute observation led him to study subjects from books, black-and-white photographs, nature, comics, and family members who posed as models. Since the local public schools did not have an art curriculum, Tolliver continued his course of self-study. From inexpensive dime-store watercolor sets purchased with money earned by mowing lawns, Tolliver learned to mix and blend colors by using a paint-by-number kit. Using this system he experimented with mixing color and skin tones and by the age eight was able to create academically correct paintings.
Make Offer – Ask Question
Extremely low offers will not be considered. Please do not make offers if you are not serious about buying this item.
An October Gallery ArtPro will respond to you as soon as possible.
If you prefer a telephone follow up, please leave your phone number.
SOLD
Jam
by Andrew Turner
Original Acrylic on Canvas
Size 11″ x 14″ Approx
Andrew Turner was born in l944 in Chester, Pennsylvania. He was a graduate of Temple University’s Tyler School of Art. Andrew’s work has been widely acclaimed, with many solo exhibitions and participation in group exhibitions. He has taught art in grades K-1 2 in the Chester, Pennsylvania Public Schools and in correctional centers. His appointments include Artist-in-Residence and Curator, Deshong Museum, Chester, PA; Lecturer, Widener University; Lecturer, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; and, he toured and lectured in The People’s Republic of China. Collections which hold Andrew’s paintings include Woody Allen, Dr. Maya Angelou, ARCO Chemical Company, Bell Telephone Company, Dr. Constance Clayton, Mr. and Mrs. Bill Cosby, Edie Huggins, Eric Lindros, Mr. and Mrs Louis Madonni, Moses Malone, Penn State University, the artist formerly known as Prince, Mr. and Mrs. Harold Sorgenti, Swarthmore College, Mrs. Marilyn Wheaton, and Widener University Deshong Museum, just to name a few. He has been featured in numerous solo exhibitions and group exhibitions in the United States and abroad. His Philadelphia commissions include: WDAS FM (1996); Marco Solo, (published by J. Schwinn and G. Harlow, illustrated by Andrew Turner) Reverse Angle Productions, Inc. (I 995); and Robin Hood Dell, Fairmount Park (1985). “My paintings combine the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the Impressionists. However, I look to the jazz idiom more so than to other contemporary visual artists for guidance and inspiration. I tend to measure the success of my pieces by how they stand up technically, emotionally and innovatively to a Coltrane solo or whether I’ve captured the spirit of the occasion, a la Ellington. The subject matter, sometimes nostalgic recollections of my days as a young tough, covers a myriad of common folk activities. The setting usually my native Chester, is a beehive of creative stimulation or a deteriorating ghetto depending on my state of mind. At the very least, hopefully, these vignettes of experience will help to provide insight into some African American lifestyles and serve as an inspiration to my students and others to continue the legacy of African American participation in the arts.” Andrew Turner 1944 – 2001
SOLD
My Girl
by Andrew Turner
Original Acrylic on Canvas
Size 11″ x 14″ Approx
Andrew Turner was born in l944 in Chester, Pennsylvania. He was a graduate of Temple University’s Tyler School of Art. Andrew’s work has been widely acclaimed, with many solo exhibitions and participation in group exhibitions. He has taught art in grades K-1 2 in the Chester, Pennsylvania Public Schools and in correctional centers. His appointments include Artist-in-Residence and Curator, Deshong Museum, Chester, PA; Lecturer, Widener University; Lecturer, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; and, he toured and lectured in The People’s Republic of China. Collections which hold Andrew’s paintings include Woody Allen, Dr. Maya Angelou, ARCO Chemical Company, Bell Telephone Company, Dr. Constance Clayton, Mr. and Mrs. Bill Cosby, Edie Huggins, Eric Lindros, Mr. and Mrs Louis Madonni, Moses Malone, Penn State University, the artist formerly known as Prince, Mr. and Mrs. Harold Sorgenti, Swarthmore College, Mrs. Marilyn Wheaton, and Widener University Deshong Museum, just to name a few. He has been featured in numerous solo exhibitions and group exhibitions in the United States and abroad. His Philadelphia commissions include: WDAS FM (1996); Marco Solo, (published by J. Schwinn and G. Harlow, illustrated by Andrew Turner) Reverse Angle Productions, Inc. (I 995); and Robin Hood Dell, Fairmount Park (1985). “My paintings combine the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the Impressionists. However, I look to the jazz idiom more so than to other contemporary visual artists for guidance and inspiration. I tend to measure the success of my pieces by how they stand up technically, emotionally and innovatively to a Coltrane solo or whether I’ve captured the spirit of the occasion, a la Ellington. The subject matter, sometimes nostalgic recollections of my days as a young tough, covers a myriad of common folk activities. The setting usually my native Chester, is a beehive of creative stimulation or a deteriorating ghetto depending on my state of mind. At the very least, hopefully, these vignettes of experience will help to provide insight into some African American lifestyles and serve as an inspiration to my students and others to continue the legacy of African American participation in the arts.” Andrew Turner 1944 – 2001
SOLD
Jazz
by Andrew Turner
Original Acrylic on Canvas
Size 11″ x 14″ Approx
Andrew Turner was born in l944 in Chester, Pennsylvania. He was a graduate of Temple University’s Tyler School of Art. Andrew’s work has been widely acclaimed, with many solo exhibitions and participation in group exhibitions. He has taught art in grades K-1 2 in the Chester, Pennsylvania Public Schools and in correctional centers. His appointments include Artist-in-Residence and Curator, Deshong Museum, Chester, PA; Lecturer, Widener University; Lecturer, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; and, he toured and lectured in The People’s Republic of China. Collections which hold Andrew’s paintings include Woody Allen, Dr. Maya Angelou, ARCO Chemical Company, Bell Telephone Company, Dr. Constance Clayton, Mr. and Mrs. Bill Cosby, Edie Huggins, Eric Lindros, Mr. and Mrs Louis Madonni, Moses Malone, Penn State University, the artist formerly known as Prince, Mr. and Mrs. Harold Sorgenti, Swarthmore College, Mrs. Marilyn Wheaton, and Widener University Deshong Museum, just to name a few. He has been featured in numerous solo exhibitions and group exhibitions in the United States and abroad. His Philadelphia commissions include: WDAS FM (1996); Marco Solo, (published by J. Schwinn and G. Harlow, illustrated by Andrew Turner) Reverse Angle Productions, Inc. (I 995); and Robin Hood Dell, Fairmount Park (1985). “My paintings combine the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the Impressionists. However, I look to the jazz idiom more so than to other contemporary visual artists for guidance and inspiration. I tend to measure the success of my pieces by how they stand up technically, emotionally and innovatively to a Coltrane solo or whether I’ve captured the spirit of the occasion, a la Ellington. The subject matter, sometimes nostalgic recollections of my days as a young tough, covers a myriad of common folk activities. The setting usually my native Chester, is a beehive of creative stimulation or a deteriorating ghetto depending on my state of mind. At the very least, hopefully, these vignettes of experience will help to provide insight into some African American lifestyles and serve as an inspiration to my students and others to continue the legacy of African American participation in the arts.” Andrew Turner 1944 – 2001
SOLD
MLK
by Don Stephens
Original Pencil on Paper
Size 18″ x 24″ Approx
SOLD
Lady Four
by Frank Frazier
Original Ink on paper
Size 7″ x 8″
Frank Frazier began his work as a fine artist early, at the age of seven. He was creating paintings in his family’s Harlem, New York City home. A husband and father of five, he recalls growing up, “we were not poor, but my family was a little different.” At the age of 15, his family moved to downtown New York City, which precipitated his “getting into a lot of trouble” as a youngster. A move to Queens, New York, brought with it a stint at a boys’ institution in upstate New York, but it also marked the point where Frazier turned his life around. While at the school, he was responsible for creating art for the “different bunks.” Teachers noticed his talent and later as a Sergeant in the Army during Vietnam, officers gave him the responsibility of painting art and shirts for the platoons. Frazier’s designs included a mixture of different scenes which he completed for free; he and his fellow soldiers weren’t thinking about money when they did their work. Amazingly, after his stint in the service, “I recall my family throwing lots of my art away.” Ironically, today it is the love and support of his immediate and “great extended family” that inspires him.
This sculptor, painter, and collagist cites the Creator as his biggest influence. “The Creator inspires me. He puts whatever I need in me. He also admits that he “loves black women and likes to use them in his art.” Frazier also credits Romare Bearden, Jacob Lawrence, and Elizabeth Cattlett as his biggest artistic inspirations. Speaking on how the Diaspora influences his art, Frank muses, “I go to Senegal, West Africa a lot. Many of my collages are influenced from there.” As far as the media he works with, the sky is the limit. “I paint with oils, watercolors, and charcoal, anything that’s available,” says Frazier.
“When I see young people look with respect and appreciation for the art of today, I think of Sankofa, and how we must go back to the past to understand the present,” he observes. “Take Grant Hill, the famous basketball player. Young people heard Hill is exhibiting his art collection around the United States, and they want to be a part of it because of him, although it’s really the art he has collected they are coming to see! He is holding our heritage for our children.”
Although the artistic creations of many blacks were not embraced by “mainstream” art dealers, always positive, Frank admits, “My experience as a black artist has always been good. I like working with black- owned galleries because they also expose us artists to other people’s creativity, old artists and new. Shows like this[BHAS] allow us to make a living off of our creativity, with our people supporting us. Charles Bibbs and Poncho [Brown] have come under criticism for mass-producing their work, but I think it’s great to bring an artist’s work into many homes.”
Now living in Texas, Frazier is working on a series of paintings on the civil rights movement. He recently completed a road trip to various Southern cities that were pivotal to the struggle for equal rights; Jackson, Mississippi to Birmingham, Alabama, to Selma, to Tuskegee. This statesmen of art was “never motivated by money” when producing his art; the love of black history and culture and creation are his driving force. Frank Frazier serves up life’s wisdom as well as beautiful art; he offers this, “when life gets you down and you feel no one is helping you achieve your goals, remember this, even when somebody has their foot up your behind, you are still in front; You can still make it!”
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