Post No Bills by Karen Powell

CHALLENGING THE EDGE

I am always intrigued when I follow an artist’s body of work and then see her break away from her comfort zone of familiar materials, color palettes, applications and subject matter. I would always think, “what a courageous and difficult thing to do.” And now here I am, in the midst of my own renaissance, embracing the energy of a new inspiration. My newest series is one of exploration and experimentation and translates as excitement, magic and a new adventure.

My new abstract collection represents this new departure: a fearless sense of unknown territory. I have a fresh appreciation for color, line, texture and movement. Ironically, these abstracts have always existed in my work as a foundation for my mixed media images but now they stand alone vibrating, pulsating, reaching and swirling in a very lyrical way.

As an artist I continue to challenge my edge: In order for me to grow, I must reach beyond the familiar.

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Little Sister by Karen Powell

CHALLENGING THE EDGE

I am always intrigued when I follow an artist’s body of work and then see her break away from her comfort zone of familiar materials, color palettes, applications and subject matter. I would always think, “what a courageous and difficult thing to do.” And now here I am, in the midst of my own renaissance, embracing the energy of a new inspiration. My newest series is one of exploration and experimentation and translates as excitement, magic and a new adventure.

My new abstract collection represents this new departure: a fearless sense of unknown territory. I have a fresh appreciation for color, line, texture and movement. Ironically, these abstracts have always existed in my work as a foundation for my mixed media images but now they stand alone vibrating, pulsating, reaching and swirling in a very lyrical way.

As an artist I continue to challenge my edge: In order for me to grow, I must reach beyond the familiar.

read more…..

Hot Sauce by Karen Powell

CHALLENGING THE EDGE

I am always intrigued when I follow an artist’s body of work and then see her break away from her comfort zone of familiar materials, color palettes, applications and subject matter. I would always think, “what a courageous and difficult thing to do.” And now here I am, in the midst of my own renaissance, embracing the energy of a new inspiration. My newest series is one of exploration and experimentation and translates as excitement, magic and a new adventure.

My new abstract collection represents this new departure: a fearless sense of unknown territory. I have a fresh appreciation for color, line, texture and movement. Ironically, these abstracts have always existed in my work as a foundation for my mixed media images but now they stand alone vibrating, pulsating, reaching and swirling in a very lyrical way.

As an artist I continue to challenge my edge: In order for me to grow, I must reach beyond the familiar.

 

Chocolate Charm by Karen Powell

CHALLENGING THE EDGE

I am always intrigued when I follow an artist’s body of work and then see her break away from her comfort zone of familiar materials, color palettes, applications and subject matter. I would always think, “what a courageous and difficult thing to do.” And now here I am, in the midst of my own renaissance, embracing the energy of a new inspiration. My newest series is one of exploration and experimentation and translates as excitement, magic and a new adventure.

My new abstract collection represents this new departure: a fearless sense of unknown territory. I have a fresh appreciation for color, line, texture and movement. Ironically, these abstracts have always existed in my work as a foundation for my mixed media images but now they stand alone vibrating, pulsating, reaching and swirling in a very lyrical way.

As an artist I continue to challenge my edge: In order for me to grow, I must reach beyond the familiar.

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All Gussied Up by Karen Powell

CHALLENGING THE EDGE

I am always intrigued when I follow an artist’s body of work and then see her break away from her comfort zone of familiar materials, color palettes, applications and subject matter. I would always think, “what a courageous and difficult thing to do.” And now here I am, in the midst of my own renaissance, embracing the energy of a new inspiration. My newest series is one of exploration and experimentation and translates as excitement, magic and a new adventure.

My new abstract collection represents this new departure: a fearless sense of unknown territory. I have a fresh appreciation for color, line, texture and movement. Ironically, these abstracts have always existed in my work as a foundation for my mixed media images but now they stand alone vibrating, pulsating, reaching and swirling in a very lyrical way.

As an artist I continue to challenge my edge: In order for me to grow, I must reach beyond the familiar.

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7th Ave by Karen Powell

 

 

 

 

 

 

 

 

 

CHALLENGING THE EDGE

I am always intrigued when I follow an artist’s body of work and then see her break away from her comfort zone of familiar materials, color palettes, applications and subject matter. I would always think, “what a courageous and difficult thing to do.” And now here I am, in the midst of my own renaissance, embracing the energy of a new inspiration. My newest series is one of exploration and experimentation and translates as excitement, magic and a new adventure.

My new abstract collection represents this new departure: a fearless sense of unknown territory. I have a fresh appreciation for color, line, texture and movement. Ironically, these abstracts have always existed in my work as a foundation for my mixed media images but now they stand alone vibrating, pulsating, reaching and swirling in a very lyrical way.

As an artist I continue to challenge my edge: In order for me to grow, I must reach beyond the familiar.

read more…..

Forever Young by Karen Powell

 

 

CHALLENGING THE EDGE

I am always intrigued when I follow an artist’s body of work and then see her break away from her comfort zone of familiar materials, color palettes, applications and subject matter. I would always think, “what a courageous and difficult thing to do.” And now here I am, in the midst of my own renaissance, embracing the energy of a new inspiration. My newest series is one of exploration and experimentation and translates as excitement, magic and a new adventure.

My new abstract collection represents this new departure: a fearless sense of unknown territory. I have a fresh appreciation for color, line, texture and movement. Ironically, these abstracts have always existed in my work as a foundation for my mixed media images but now they stand alone vibrating, pulsating, reaching and swirling in a very lyrical way.

As an artist I continue to challenge my edge: In order for me to grow, I must reach beyond the familiar.

Hot Cornbread Blues II by Karen Powell

 

 

 

 

 

 

 

 

 

 

 

CHALLENGING THE EDGE

I am always intrigued when I follow an artist’s body of work and then see her break away from her comfort zone of familiar materials, color palettes, applications and subject matter. I would always think, “what a courageous and difficult thing to do.” And now here I am, in the midst of my own renaissance, embracing the energy of a new inspiration. My newest series is one of exploration and experimentation and translates as excitement, magic and a new adventure.

My new abstract collection represents this new departure: a fearless sense of unknown territory. I have a fresh appreciation for color, line, texture and movement. Ironically, these abstracts have always existed in my work as a foundation for my mixed media images but now they stand alone vibrating, pulsating, reaching and swirling in a very lyrical way.

As an artist I continue to challenge my edge: In order for me to grow, I must reach beyond the familiar.

read more…..

Mama’s Callin II by Karen Powell

 

 

 

 

 

 

 

 

 


Giclee
Limited edition size=280
Image size=12″w x 16″h

CHALLENGING THE EDGE

I am always intrigued when I follow an artist’s body of work and then see her break away from her comfort zone of familiar materials, color palettes, applications and subject matter. I would always think, “what a courageous and difficult thing to do.” And now here I am, in the midst of my own renaissance, embracing the energy of a new inspiration. My newest series is one of exploration and experimentation and translates as excitement, magic and a new adventure.

read more…..

Bernard Hoyes Visual Artist

Bernard Hoyes

“I have been a creator of art, symbols of ancestral echoes since a child in Jamaica… The images I convey symbolize a culmination of these ancestral echoes brought to classical form. They are contemporary, eternal in spirit and stand as praise to our existence –past, present and future.”

At the age of nine, Bernard Hoyes’ professional art career began in his home town of Kingston, Jamaica. Bernard’s mother sold his wood carvings and watercolors to visitors at the Jamaica Tourist Board to help maintain the household and support his creative efforts.

Hoyes began his academic art education at the Institute of Jamaica. At age 15, he moved to New York to live with his father, attend school and continue his art endeavors. He studied at the Art Students League and the Vermont Academy in Saxtons River, Vermont. While studying in Vermont, his work was featured in Vermont Life, Stage IV and Vermont 70 Magazines. He was instrumental in the development of a formal art department at the Academy.

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Blacker Visions The photography of Thomas Burroughs Jr

 

 

 

 

 

 

 

 

 

I have worked as a technician and photo media specialist in a variety of production environments. I am highly capable of camera set-ups, photo productions, graphic designs, audio-visual training and product realization. As a result, the experience that I have obtained, combined with my education, has given me the opportunity to improve, broaden my scope, and offer new visions and methods for companies.

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Black Flight: Our Sojourn. Our Connections. Our Stories.

 

 

 

 

 

Visual Arts & Exhibitions (Hall of Culture, 3rd Floor)
Thu, Jan 19 — Sun, Jun 17
Opening Reception: January 19, 2012 | Time: 6 p.m. – 8 p.m.

Join the African American Art & Culture Complex as we host an interactive photographic exhibition about the sojourn of African Americans to other countries, the cultural connections made on their trips, and the stories told through their photography.

This exhibition focuses on the trends of modern travel and aims to answer three questions: Where are we going? What is carrying us across the waters? How do we define this new expatriate experience?

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The Black Girl Project: Aiesha Turman treats the whole girl

 

 

 

 

 

 

 

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Posted: Thursday, March 22, 2012 12:00 am

The Black Girl Project: Aiesha Turman treats the whole girl By AMBER TAFARI LARAQUE Special to the AmNews New York Amsterdam News |

During Women’s History Month, it is important not only celebrate the great women who have impacted society and our personal lives, but to remember to encourage young girls to become those great women. Aiesha Turman, founder of the organization the Black Girl Project, makes that her mission every day of the year for young Black girls.

Starting out in the creative industry, Turman worked in fields such as marketing and eventually found her calling in teaching. She recalled a teaching situation where 70 percent of her students were girls and how she became the person the girls could talk to. The girls felt like no subject was off limits with Turman.

“I’m definitely nonjudgmental,” she said.

“The best way to teach something is to immerse yourself,” Turman went on to say. And immerse herself she did.

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Painting by Ann Tanksley, “Gullah Dancers”

 

Ann Tanksley’s work tells a story. At times it is an autobiography of her inner spirit melded with her experiences and travels; at other times it is about social injustices and the universal plight of rural workers; yet others, she retells stories that have been told by others as she did in her visual interpretations of the prose of Zora Neal Hurston. She sees herself as a ”social commentator” who would like people to understand her through her work and to understand her point of view. This is perhaps why she has chosen to communicate through the figures of the painting rather though abstract expression, even though her method is not unlike that of the Abstract Expressionists.