R&B singer, Marvin Gaye mentor Harvey Fuqua dies

DETROIT (AP) — Singer, songwriter and record producer Harvey Fuqua, an early mentor of Marvin Gaye, has died. Fuqua was 80.

Ron Brewington of the Motown Alumni Association says Fuqua died of a heart attack Tuesday at a Detroit hospital.

The Louisville, Kentucky, native founded the R&B-doo-wop group the Moonglows, which signed with DJ Alan Freed. The group’s first single was the 1954 hit “Sincerely.”

Fuqua added Gaye and others in 1958 to a reconstituted group that he called Harvey and the Moonglows. It had the 1958 hit “Ten Commandments of Love.”

He started Tri-Phi and Harvey Records in 1961, recording the Spinners, Junior Walker & the All Stars, and Shorty Long.

Motown Records founder Berry Gordy later hired Fuqua to develop recording talent.

Copyright 2010 The Associated Press.

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Market for African-American art continues to grow

At its sixth biannual specialist sale, Swann sets four new artist records

By Viv Lawes | Web only
Published online 9 Mar 10 (market)

Hot on the heels of resurgent sales of impressionist, modern and contemporary works in London, auction records for African-American artists continued to stack up as Swann held its sixth dedicated biannual sale on 23 February in New York.

Sales were patchy but healthy enough: of 162 works offered, 118 sold (73% by lot) at a premium-inclusive total of $1.24m, just under the $1.3-1.9m total estimate. The top seller was auction virgin Malvin Gray Johnson’s best-known and celebrated oil painting Swing Low, Sweet Chariot, 1928-29, for which a collector paid $228,000 (estimate $200,000-$250,000). Four new artist records followed as institutions, collectors and dealers competed for the best works—this included a record for Sargent Claude Johnson’s tan painted terracotta figure Untitled (Standing Woman), 1933-35, which went to an unnamed institution for $52,800.

Swann’s inaugural sale of African-American art took place in February 2007, growing from specialist-in-charge Nigel Freeman’s observation of the frisson caused by African-American artists’ works on paper during regular prints and drawings sales.

“Three years ago, there was no auction market for African-American artists that even came close to their fair market value, with the exception of works by Jacob Lawrence, Romare Bearden and Henry Ossawa Tanner”, said Mr. Freeman. “Now we have set auction records for many more important artists and have introduced over 100 African-American artists to auction”.

Swann’s market for printed and manuscript African-Americana is significantly more mature. Specialist annual sales were launched 16 years ago by Wyatt Houston Day. The latest took place on 25 February, two days after the African-American fine art sale—with matching sales statistics of 73% sold by lot (287 of 390).

Institutional interest was spurred by an African-American art history archive built over five decades by artist-writer James Amos Porter, author of the groundbreaking Modern Negro Art, 1943. Packed with correspondence, photographs, catalogues and other data, four major institutions examined it before the sale. One anonymous institution secured it for $50,400 (estimate $30,000-$40,000), described by Wyatt Day as “a very good but still modest price [considering] the richness of the prime research material”. The result was second only to the departmental record of $57,600, set last February for five hours of original 16mm film of black life in the 1920s, shot by Reverend Solomon Sir Jones.

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Introducing First Lady Edition of Michelle Obama Life-Like Figurine From Thomas Blackshear’s Ebony Visions Collection

With all the aspects of a highly collectible and rare offering, collectors and enthusiasts anticipate high demand for this First Lady Edition. Artfully detailed, the figurine captures the essence of Michelle Obama…elegant, sophisticated yet disarmingly down-to-earth, traits she is certain to pass on to her own lovely daughters.

Ripon, CA (BlackNews.com) — Limited to only 3000 pieces worldwide, Thomas Blackshear’s figurine of Mrs. Obama is an heirloom quality work of art that can be passed down for generations. Mothers, daughters, sisters, cousins, girlfriends and co-workers, who appreciate value and true character, will want to own this significant piece of modern history. However, considering the popularity and limited production of Blackshear’s soon-to-be-released First Lady Edition, it is expected that this figurine won’t be available long. Orders should be placed now at Collector Hub to guarantee delivery of First Lady Edition of Michelle Obama.

In the likeness of her official White House portrait, Thomas Blackshear’s interpretation of the First Lady is sure to impress. A lovely complement to the President Barack Obama figurine; Michelle wears a classic sleeveless dress resembling the one designed for her by Michael Kors. As in the official photograph of Mrs. Obama taken in the Blue Room of the White House by Joyce N. Bognosian, the First Lady Edition figurine bares her delicately sculpted arms to show off her signature style.

Much like the highly sought after Presidential Edition of the Barack Obama figurine, collectors will be lining up to purchase the First Lady Edition Michelle Obama. Both pieces are part of Blackshear’s Ebony Visions(TM) Collection and pay honor to America’s first African-American Couple in the White House. Order both figurines today at Collector Hub and begin a personal legacy that can be handed down from mother to daughter or other members in the family tree.

America’s infatuation with its First Ladies is not at all a passing trend. President’s wives are an intricate part of this nation’s history. Serving their country silently, the presidential wives have remained loyal and supportive from the past to the present. First and foremost a mom and wife, Michelle Obama is an inspiring example of one who believes it is also her duty to serve her country.

“I believe that each of us – no matter what our age or background or walk of life – each of us has something to contribute to the life of this nation.” — Michelle Obama, Speech at the Democratic National Convention

Kicking off her campaign Let’s Move, Obama practices what she preaches by working with parents and community to help fight obesity in children. A motivating example of hope, commitment and determination, First Lady Michelle Obama is sure to be an unforgettable figure in American history and Blackshear’s First Lady Edition figurine is an excellent way to celebrate this remarkable woman.


About Thomas Blackshear:
Widely known for his dignified and uniquely powerful depictions of African-Americans, Thomas is one of the hottest contemporary collectible artists in the world. His imaginative portrayals are full of lifelike details that transcend stereotypes and resonate with universal truths. Thomas has helped bring the African-American experience to life in a way that’s never been conceived of before. A touring exhibit of his Black Heritage works premiered at the Smithsonian Institution’s National Museum of American History. He has been honored with the coveted International Collectible Artist award. He has also been featured on The 700 Club, Ebony/Jet Showcase, and in The Saturday Evening Post. Blackshear has created works for Disney, Coca-Cola, National Geographic, the United States Postal Service and Universal Studios; and these are just a few of his accolades.

About Collector Hub
Formerly known as Blackshear Online, Collector Hub, established in 2001 is the Internet’s preeminent gathering place for collectors of internationally acclaimed African American artist, Thomas Blackshear. Our goal is to continue to be the most comprehensive Thomas Blackshear community by providing the essential link collectors need to interact and share ideas and information, and conveniently and confidently purchase Thomas Blackshear products online. Visit our web site at www.CollectorHub.com or call us at (209) 599-8599. And don’t forget to bookmark our new web site.

All trademarks and brands are the property of their respective owners.


PRESS CONTACT:
Larraine Covington
info@CollectorHub.com
209-599-8599

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Ed Terrell, art director and curator, African American Coalition of Reading

Why he’s in the news: The African American Coalition of Reading joined with Outsider Folk Art Gallery to create an exhibit that was one of Pennsylvania’s largest tributes to black artists. Originally on view in February and March in a Penn Street gallery, “Believe, Achieve, Succeed” was so popular, it was extended through the end of May. Terrell has also worked on 13 murals around Reading.
Personal: Terrell, 61, grew up in Reading and lives in the Glenside neighborhood with his 13-year-old son, Rupa. His wife, Maria, passed away 13 years ago.

Education: Terrell attended Reading High School and is a self-taught artist.

Career: Terrell has worked around the world as an artist and interior designer. He created props for a theater near Tel Aviv, Israel, and spent two years designing the decor for the Oasis nightclub in Reading. As art director and curator for ACOR for the past five years, Terrell finds art for the gallery, organizes exhibits and coordinates collaborations with local schools and groups.

How he got involved with the arts: As a child, Terrell was part of a group of students from Reading schools who were asked to paint windows on Penn Street stores from October through the holidays. He was hooked. “You can take something drab and change it to something that’s beautiful,” he said.

History of ACOR: The group of artists started in 2000 as coordinator of Black History Month programs with the Reading Public Museum. The group became more active, putting up exhibits at different galleries to educate the public through the arts. ACOR moved into the GoggleWorks when the center opened in 2005. “As African-American artists, we feel that we can inform the people about our culture through the arts,” Terrell said

Why focus on the arts? “Art is something that’s appreciated by people in all walks of life. Art is therapeutic and relaxing, especially for children.”

Most rewarding part of the job: “The most rewarding part of what I do is to be a liaison between the artist and the community. Art is a medium where you can make pleasant things happen.”

You might be surprised to know: Since Terrell left Reading at age 19, here are the places he’s called home: Topanga Canyon, Calif.; Oregon; Norway; Spain; Portugal; Senegal; Gambia; Italy; Israel; India and then back to Reading 13 years ago.

– By Erin Negley

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The Charles H. Wright Museum of African American History

The Charles H. Wright Museum of African American History is the world’s largest institution dedicated to the African American experience. The Museum provides exhibitions and programs that explore the diversity of African American history and culture. The Museum houses over 30,000 artifacts and archival materials and is home to the Blanche Coggin Underground Railroad Collection, Harriet Tubman Museum Collection, Coleman A. Young Collection and the Sheffield Collection, a repository of documents of the labor movement in Detroit. The Museum features:

  • Seven exhibition areas devoted to African Americans and their stories.
  • The Core Exhibit: And Still We Rise: Our Journey Through African American History and Culture. The interactive, multi-level exhibit opened to rave reviews in November 2004.
  • A Glass Dome, 100 feet in diameter and 55-feet high. The architectural wonder is two feet wider than the State Capitol dome.
  • The terrazzo tile creation, Genealogy, by Hubert Massey located in the Ford Freedom Rotunda floor.
  • The Louise Lovett Wright Research Library.
  • The General Motors Theater, a 317-seat facility for live performances, film screenings, lectures, presentations and more.
  • A Museum Store that sells authentic African and African American art, books and merchandise.

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The African American Heritage Preservation Cultural Complex

The African American Heritage Preservation Cultural Complex (AACC) originated in 1984,as a hobby, by Dr. and Mrs. E.B. Palmer, then opened in 1989 as the Black Heritage Park. The Palmers’ and George Barner incorporated AACC in 1994. The Palmers’ entered into a Lease Agreement in 1991 for $1.00 per year. The park occupies approximately 3 acres of the wooded land to the rear of the Palmer House at 119 Sunnybrook Road. The AACC was chartered and granted 501 (c)(3) tax status in October 1994. The AACC currently has 3Exhibit Houses located along a natural trail beside a creek, a Mini-Amphitheater, a Bird Sanctuary, Nature Preserve and a Picnic Area and Botanical Gardens. There is no admission fee, however, visitors and friends have donated small sums of money. Friends and organizations have also donated labor and artifacts.

The AACC is striving to be self-sustaining. Plans for the acquisition of additional land for the construction of a major museum complex are being developed. A permanent and mobile exhibit of, “Women of Note” is one of the museum’s new outstanding expansion projects. Plans for the display of a reproduction of the “Amistad” Slave Ship are being developed. The mutiny on the “Amistad” symbolizes the first Civil Rights Case in America and a pronounced example of how the judicial appellate system worked in America and North Carolina. A drama, telling the Amistad Story will be produced during July and August annually. The history of The Benjamin Spaulding Family (NC Mutual Life Insurance Co.) will be presented and preserved in a 4th exhibit house.

Word of what the Palmers’ have done spread slowly throughout the Triangle area and friends began to request guided tours for small groups. As educators, the Palmers’ made verycapable lecturers, thus the facilities were opened to these visitors with the Palmers’ conducting tours through the Complex. During 2000, over 140,000 visitors experienced the program of AACC. Some of the organizations which have visited the AACC site, have endorsed its program, and which have given support are: Capital Area Visitors Bureau, North Carolina Department of Archives, schools in the Piedmont Area, North Carolina Association of Educators, Downtown Raleigh Development Corporation, Raleigh Arts Commission, A.J. Fletcher Foundation, Cannon Foundation, United Arts Council, Triangle Community Foundation, National Education Association and the D. Michael Warner Foundation to name a few. Tour groups have come from across the state of North Carolina, out-of-state and from foreign countries.

Groups which have visited the Complex have come from schools, churches, sororities, fraternities, community organizations and organized group tours. Individuals have come as a result of referrals by tourist center tours and individual testimony. With increased volunteers, staff, upgraded mobile and permanent exhibits, electronic lectures and brochures, the AACC will be able to provide more service to a broader and larger society.
Dr. Tonea Harris Stewart, Actress, was designated “National Spokesperson” for the AACC, while Christopher Coombs, Jr. (nine years old-Durham) was designated “National Youth Spokesperson” for the Amistad Project.

Non-Profit Founded in 1984, the Organization for African American Heritage Preservation Cultural Complex (AACC) is a Chartered organization by the state of North Carolina (October 13, 1994) and tax exempt under the Internal Revenue Code 501(c)(3), with a Foundation Classification of 509(a)(2). AACC operates with a lease agreement at 119 Sunnybrook Road, Raleigh, NC (a site zoned “museum” by the Raleigh City Council in February 1995). The AACC Enjoys a $1.00 per year rental agreement with options to extend or to buy (thanks to Curators Dr. E. B. and Mrs. Juanita B. Palmer).

African American Cultural Complex
119 Sunnybrook Road
Raleigh, North Carolina 27610-1827

Office Telephone
919-250-9336

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The Reginald F. Lewis Museum of Maryland African American History and Culture

The Reginald F. Lewis Museum of Maryland African American History and Culture opened on June 25, 2005 and is named after Reginald F. Lewis (1942-1993). Born in Baltimore, Lewis was an entrepreneur and philanthropist who served as chair and chief executive officer of TLC Beatrice International, the largest U.S. company owned by an African American during his lifetime.

Mission
To be the premier experience and best resource for information and inspiration about the lives of African American Marylanders.

General Facts
The largest African American museum on the East Coast, the Reginald F. Lewis Museum brings
Maryland to the world through its extensive permanent collection, and the world to Maryland through its educational programs and special exhibitions. The 82,000 square-foot facility accommodates over 13,000 square feet of permanent and temporary exhibition space, a two-story theater, resource center, museum gift shop, café, classrooms, meeting rooms, an outdoor terrace, and reception areas spaces, including the upper lobby reception area, are available for special events and meetings. The museum provides dynamic educational programs for both children and adults and is especially proud of its partnership with the Maryland State Department of Education. The museum’s education department has developed curricula and provided teacher training to reach more than 850,000 students and 50,000 teachers. The museum allows for a substantial increase in the number and quality of objects collected, and encourages the study and enjoyment of collections by scholars, students, and the general public.
The museum provides an important venue to share Maryland’s African American history two
blocks east of one of the state’s most popular attractions, the Baltimore Inner Harbor.

Permanent Exhibition
The Reginald F. Lewis Museum has three permanent galleries on its third floor that highlight ordinary and extraordinary African American heroes in Maryland.

They include:
• Building Maryland, Building America explores three major types of work in which free and
enslaved people of African descent engaged: work on the water, tobacco cultivation, and iron
working. These endeavors were essential to building the colony, and later, state of Maryland.
• Things Hold, Lines Connect shows how African American families and community
organizations provided comfort and support in the face of oppression, while creating
environments in which resistance to oppression could be planned and nurtured.
• The Strength of the Mind features stories about the creative spirit of Maryland African
Americans by focusing on their accomplishments in the arts and education.

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The Penn Center, South Carolina

Tucked in the heart of the South Carolina Sea Islands between glimmering marshes and deep water, nestled beneath the silvery moss draped limbs of massive live oaks, you will find the Penn Center – the site of one of the country’s first schools for freed slaves and one of the most significant African American historical and cultural institutions in existence today.

Located on St. Helena Island, one of the most beautiful and historically distinct of the South Carolina Sea Islands, Penn Center sits at the heart of Gullah culture, on the 50 acres of the historical campus of Penn School. Designated a National Historic Landmark in 1974, it is a part of the Penn School Historic District which is comprised of nineteen buildings related to and used by Penn School–Brick Church, Darrah Hall, one of the oldest buildings on St. Helena Island, old burial grounds, Gantt Cottage where Martin Luther King Jr. lodged, a Nature Trail, Chowan Creek, acres of pines, native flora and fauna.

On behalf of the Penn Center Board of Trustees and the Sea Island Community, we welcome you to our family and look forward to your visit. For, in the words of the Gullah people—“when oonuh dey yuh, oonuh dey home”—when you are here, you are home.

Penn Center’s Mission

The Penn Center’s mission is to promote and preserve the history and culture of the Sea Islands. We serve as a local, national and international resource center, and act as a catalyst for the development of programs for self-sufficiency.

Penn Center operates the History and Culture Program, the Land Use and Environmental Education Program, the Program for Academic and Cultural Enrichment(PACE) and partners with the University of South Carolina—Beaufort to offer the Early Childhood At Risk Initiative.

Programs

The History and Culture Program collects, documents, preserves and disseminates information related to the cultural heritage of the Sea Island and Lowcountry African American culture. To meet these needs, the Program develops and implements public programs such as the Annual Penn Center Heritage Days Celebration, operates the York W. Bailey Museum and Gift Shop, and maintains the Laura M. Towne Archives and Library.

Penn School National Historic Landmark District
P.O. Box 126, St. Helena Island, South Carolina 29920

Phone: (843) 838-2432
Fax: (843) 838-8545

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Great Granddaughter of Booker T. Washington To Lead Oakland/Bay Area Youth In Historical Journey…

Across Country, Following His Footsteps From Slavery To Freedom

“The highest test of the civilization of any race is in its willingness to extend a helping hand to the less fortunate. A race, like an individual, lifts itself up by lifting others up.” — Booker T. Washington

San Leandro, CA (BlackNews.com) — When President Obama was elected he asked Americans to help restore the country. Oakland, California native, Sarah O’Neal Rush, great-granddaughter of Booker T. Washington, has not forgotten her pledge to do just that. Rush is the founder and executive director of Booker T. Washington Empowerment Network (BTWEN), a 501(c)(3) nonprofit corporation. From July 30, 2010 – August 7, 2010 she will lead eight youth and three mentors on a Freedom Journey, a rite of passage, following the footsteps of her great-grandfather from slavery to freedom.


Rush comments, “To break generational cycles of destruction among young people across America, we must tell them who they are, and where they come from. I know from personal experience that there is power in their history that will move them forward – from self-destruction to self-love, and empower them to respect their lives, their culture, education, and their community.”

Last year Oakland, California started the year off as the focus of national attention with the tragic murder of a young African-American male, Oscar Grant, followed by the grievous murders of four Oakland Police Officers, and their killer, another young African-American male. The year ended with 124 homicides.

Stories like these cast a dark shadow over the city where Ms. Rush grew up. In response BTWEN plans to add a beacon of hope in inner cities across America, beginning in her hometown, through the Up from Freedom Project, a pilot program for youth 16 – 19-years-old, that meets weekly in East Oakland, California.

Up from Freedom Project connects the past to inspire the future. When participants come to the program, many will have self-imposed limits on their hopes and dreams, if they have hopes and dreams at all. As they progress through the program they will become empowered and prepared to approach the world from a new, healthier perspective. They will also be prepared to go on the Freedom Journey.

The journey begins on the plantation in Virginia, where Booker T. Washington was born a slave. From there they go to West Virginia where he worked in the coal mines as a boy after slavery ended. Then it’s on to Hampton University, where he received his education. From there the group goes to Washington, D.C. where he was the first black invited to dine in the White House. While in D.C. they are scheduled to meet with Congresswoman Barbara Lee, and have lunch with Congresswoman Diane Watson. A request has been made to meet President Obama. The last stop of course will be Tuskegee University, in Alabama, the school Booker T. Washington founded for former slaves and their descendants. Each stop along the Freedom Journey is a national historic site.

“I am excited about the trip and watching my history come alive. I have never even been on an airplane before.” Those are the words of 18-year-old Rhyan, one of the youth participants who recently transitioned out of foster care. As a requirement of the Up from Freedom Project, Rhyan is reading Booker T. Washington’s best-selling autobiography, Up from Slavery. “It’s making me very anxious to get to Tuskegee,” Rhyan said.

The group plans to kick off the Freedom Journey with its first annual walk-a-thon around Lake Merritt in Oakland, on Saturday, July 10, 2010 at 9:00 a.m. For more information about the walk, or to learn more about the Up from Freedom Project, visit www.btwen.org. To help inner-city youth through BTWEN, interested ones may make a tax-deductible donation in any amount to BTWEN, and mail to P.O. Box 3311, San Leandro, CA 94578, or visit www.btwen.org, and click on the donation button.



PRESS CONTACT:

Anthony W. Rush, Public Relations

washingtonwisdom@btwen.org

source www.blacknews.com

Rounded, organic shapes soften a bathroom’s style


(ARA) – The Kitchen and Bath Industry Show (KBIS) is not only the launching pad for a number of new kitchen and bath products; it’s also the place where key trends are announced. At this year’s spring event in Chicago, the National Kitchen and Bath Association (NKBA) held its annual design competition, at which 10 key trends were revealed. A major concept unveiled this year in bath design was “soft geometry” – using rounded, organic shapes in room structures and products to soften a bathroom’s style. Learn how you can use this top trend, as well as others, in your next remodeling project.

Soft geometry

“We started seeing the introduction of softened geometries over the last few years. It actually began with soft modern products, and has evolved from products to overall room architecture,” says Judy Riley, vice president of design at Moen. “Soft geometry can be seen in the edge of a counter, an arch over an entryway or in the lines of a light fixture or other bath product. It’s really about softening the angular features of a room, which are especially prevalent in bathrooms.”

To incorporate the soft geometry concept in your bath decor, Riley suggests beginning with products that are traditionally very linear – such as faucets, bath accessories and lighting. Moen has a new bath collection, which launched at KBIS and falls directly into the soft geometry trend. Blending clean lines and soft curves, the Method suite makes a modern statement with its minimalist styling, available in either a single- or two-handle faucet option. To complete the look, the Method collection also has a number of coordinating accessories – including towel bars, robe hooks, a pivoting paper holder and even a toilet tank lever – which feature the same soft geometry styling as the faucets.

Scaling of elements

Another trend introduced at the show is all about scale. Scale is an important consideration in the overall composition of a kitchen or bath. Shapes, textures (both actual and implied) and thoughtful placement of fixtures are all elements that can be used to create focal points, functionality and visual appeal, according to the NKBA.

The bathroom is the perfect room to test the “scaling of elements” trend, even if you’re not in the midst of a remodeling project. Experiment by placing traditional objects in non-traditional places. For example, instead of placing a single towel ring or bar next to the sink, create a visual display of three towel rings, placed at uneven heights, on the wall directly across from the sink. Not only will it allow you to inexpensively create a focal point in the room, but it also gives you a spot to display beautiful hand towels – and change them with the seasons, or as often as a new color or pattern strikes your fancy.

Color with energy

Gone are the days when neutral tones and muted shades ruled bathroom decor. Instead, NKBA reports that bold colors are creating a vibrant splash in room palettes for 2010, with rich blues, purples, greens and citric yellows making confident appearances. Try using bold colors that act not merely as a passive backdrop for the room, but bring life to the space through lighting, wall colors and wood tones.

Incorporating bold colors is simple to accomplish in a bathroom, since it is typically a smaller place where colors can really pop. Try accent colors first – with vibrant vases, candles and hand towels. If you have a bit more time on your hands, use paint and wallpaper to quickly add a brilliant splash of color to the room.

Art integration

Finally, another trend outlined by NKBA is “art integration” – the concept of personalizing your bath space as a reflection of your own personal style to create an immediate sense of intimacy and originality. According to NKBA, many of today’s designs start with one piece – perhaps a framed painting or an antique sculpture – which becomes a springboard for colors, fixtures, finishes and theme elements.

“We’ve seen this concept quite a bit, as well – it’s a macrotrend we call ‘fingerprinting,'” says Rebecca Kolls, senior director and consumer strategist of home and garden at Iconoculture, a global consumer research and advisory company. “It’s all about self-expression and being empowered to make your own personal statement in your home decor. That might mean anything from shopping garage sales and on Craigslist to attending in-store design classes or working with virtual interior designers.”

And using art-inspired items doesn’t have to be expensive. Today, more and more homeowners are turning to artisans on websites like etsy.com, where you can select hand-made items that often have more character and style than similar store-bought items. From glassware and art to paintings and photographs, etsy has something for virtually every taste.

For more information about the Method collection from Moen, call (800) BUY-MOEN (800-289-6636) or visit moen.com. Additional information on the 2010 NKBA trends can be found at NKBA.org.

Courtesy of ARAcontent

Just married? How to reconcile your decorating differences

(ARA) – After the “I dos” are exchanged and the reception is over, couples find out that the realities of cohabitation do not always make for smooth sailing, especially when it comes to blending different tastes and styles. While newlyweds find themselves saying “I do” at the altar, that phrase frequently turns into “I don’t” when the couple begins combining two unique decorating styles into a single household.

“It’s never easy to incorporate two divergent ideas of design and comfort into one home,” says Christopher Prebel, senior product manager at Pratt & Lambert Paints. “The man likes modern. His new wife likes flea-market chic. If you pick only one style, it’s not going to feel like a ‘married’ home. The question, then, is, ‘How can you blend both and be satisfied?'”

This might take some time, but no one says you have to decorate an entire house overnight.

First, de-clutter. Both of you have baggage that you could stand to dump, donate or list on eBay. Sit down together and negotiate what stays and what goes, and then stick to your plan.

Next, spend time looking at decorating publications and websites and watching decorating shows on TV to decide what sort of style you both like. Talk about what you see, what you love and what you don’t. The husband might hate feminine, floral prints. And, the wife might cringe at preppy plaid. But maybe they both prefer slip-covered sofas and daring wall colors. And once you find that common ground, you can start formulating your decorating strategy.

Paint is one of the easiest and most cost-effective ways to start personalizing any living space, and it all comes down to color. Color possibilities are endless, so chances are you’ll be able to find something you both like.

Visit your local paint dealer and collect color chips or actual inexpensive paint samples that you can put on the wall to compare options. Most paint companies have helped simplify the color selection process. Pratt & Lambert Paints, for example, has a color display that features pop-out color chips that let you evaluate color by overlaying chips against existing furniture and design elements. Additionally, various color cards provide you with suggested color combinations to give you further inspiration.

If you’re the kind of couple who likes to remain en vogue with your decor choices, consider researching the latest color trends. A variety of design industry groups develop color forecasts each year, and paint manufacturers prepare palettes to echo these predictions. Hot directions for 2010 include:

Nurture – Colors inspired by sustainability, balance and making an impact on the greater world. Try gray on your walls and accent with shades of palm green, nutmeg, browns and yellows.

Symbol – Colors in this palette seek inspiration from architectural and historical symbolism – rich, complex and even moody hues, such as tobacco, bay leaf green, maroon and warm reds.

Sense – Hues in this palette not only please the eye but also stimulate the other senses by echoing tactile wonders with colors like that of an artichoke.

Sojourn – Inspired by the sights of global travel, the colors in this palette combine an eclectic mix of cultural references, blending camels and honeyed lights with rich, artistic reds, slate blues and plums.

Color is the biggest hurdle in any decorating decision – and once you cross that challenge off your list as something you’ve accomplished together, the rest should fall easily into place. Some other helpful tips to keep in mind while you’re creating the perfect first home include the following:

* Mix it up, don’t match it perfectly. It’s fine to be eclectic. A home that is perfectly “matchy-matchy” lacks character. Your home is about you, and it should carry a bit of both of your personalities vs. looking like you copied a picture in a magazine.

* Cleverly blend items from the past with new things in every room. You both had a life before you got married – let your history reflect into your present. Yes, it might involve compromise, but that’s what relationships are about, isn’t it?

* Buy big items, such as furniture, window treatments, flooring upgrades and appliances, together. Shopping as a team gives added cohesiveness to the overall look and allows you both to have a say in major purchases.

Marriage is “for better or for worse.” A little creativity and compromise will ensure that at least your decor is for “the better.”

Courtesy of ARAcontent

Dr. J, Bill Russell and Mercer A. Redcross III Do the Auction Thing.

Auctions and Fundraisers are good ways to help others and brand October Gallery.

mercer-dr.jFrom left to right: Auctioneer Mercer Redcross III, Julius “Dr J.” Erving, a Converse representative
and Bill Russell at the Dr. J Foundation auction.

FREE Michael Jackson 3D Poster 4th of July Weekend

Michael Jackson 3-D Lenticular Poster
Paper: 26 1/2 x 18 1/2 Retail Price $35

FREE FREE FREE FREE FREE
This 4th of July weekend.

October Gallery ArtNic (Art Picnic) Saturday and Sunday July 3 and 4, 2010. Noon to 6pm.

Admission Free. Free Food. Free Fun & Art.

To RSVP for the Free Print make a comment (below) as to why you think Michael Jackson was the King of Pop. No fees. No purchase necessary. Just make a comment. Print your comment and bring to the ArtNic Saturday or Sunday 7/3 or 7/4 for FREE Print.


THIS IS A 3D Print. It actually moves. IT IS FANTASTIC !!!

October Gallery 6353 Greene Street Philadelphia, PA 19144 267-297-0188

Michael began his musical career at the age of 5 as the lead singer of the Jackson 5 who formed in 1964. In these early years the Jackson 5, Jackie, Jermaine, Tito, Marlon and lead singer Michael played local clubs and bars in Gary Indiana and moving further afield as there talents grew and they could compete in bigger competitions. From these early days Michael would be at the same clubs as big talented stars of there days, such as Jackie Wilson and would be learning from them even back then.


Paul Goodnight – Visual Artist

Paul Goodnight’s vibrant and emotional work has often been a reflection of his life–from the demons he faced during the Vietnam War to the time he was incarcerated “I’ve learned that art is making me, rather then me creating it.” His creative efforts are nurtured and inspired by several local artists, like Allan Rohan Crite and Dana Chandler. Goodnight had a close relationship with Master African-American artist and mentor John Biggers (1924-2001), who carved the path many contemporary black artists now travel.

Goodnight has developed his own unique aesthetic philosophy to document the humanity of people around the world. He often incorporates African themes and symbols to provide depths of history and culture. He has studied and traveled extensively to different parts of the world, living among the people of Russia, China, Haiti, Nicaragua, Africa and Brazil.

Goodnight’s images have appeared in television and film since 1984: Seinfeld, Arliss, Jackie Brown, The Cosby Show, Fresh Prince of Bel Air, and the Hughleys to name a few. Paul has been featured in numerous publications such as Architectural Digest, Ebony, Essence, People Magazine and the Boston Globe. His works are amongst the collections of such notables as Maya Angelou, Wesley Snipes, Samuel Jackson, Angela Basset, Judith Jamison, Victoria Rowell, and NBA hall-of-famer Isaiah Thomas. His work has been exhibited in the Museum of Fine Arts, The Museum of the National Center of African American Artists and the Smithsonian. He has been the recipient of many achievements and awards such as receiving a commission for the 1996 Olympics, The U.S. Sports Academy Artist of the Year Award in 1997, and the World Cup Soccer Poster of 1998.

Some of Goodnight’s achievements include being commissioned by Geovision for Mass Dept. of Public Health Minority Adult Male Anti Smoking Campaign; American Airline, Don Coleman Advertising and Top Artist, Inc. to do a commemorative piece for Black Enterprise 30th Anniversary and the Urban League of Eastern Massachusetts Award. He was commissioned to do a piece to raise funds for the African American Research Library in FL which auctioned for $32,500 and was commissioned to do a piece by The Valley Inc. in NY which auctioned for $51,000. His works were showcased at the Schomburg Center in NY sponsored by Toyota and Essence Magazine for the Essence Awards 2000, the 2000 African American Achievement Award, WILD local radio station 21st Century Award and the Mass College of Art May 1999 Honorary Masters Degree. He was commissioned to design a ceramic mural for the entrance of the Orlando Airport, a commission to create an original work for the cover of the Official 2000 souvenir magazine of The Boys Choir of Harlem, and featured in the Official Souvenir Magazine of Alvin Ailey for the 1999/2000 season. Paul artwork entitled “What Your Heart Hears” was auctioned for $70,000 at the Andre Agassi Grand Slam for Children in Las Vegas in October 2007.

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Cal Massey – Visual Artist

About the Artist:
MOORESTOWN-Cal Massey said that the wonderful images that appear on his canvases come to him during his daily meditations. He jots them on notecards and stores them in a filing cabinet that stands near the easel in his studio. “Everything in my work is spiritual,” the 80-year-old artist said. Entering the artist’s home/gallery studio on Dawson Street is almost a spiritual experience in itself. Messiah, a rendition of a black Christ as one with the earth, standing between the galaxies and the oceans, is the first painting a visitor notices. Near it hangs “Angel Heart”, which Massey considers one of his most popular works, inspired in part by the lack of black angels in traditional artwork. The angel’s hair, styled in a full Afro, is a tribute to the natural beauty of the black woman, Massey said. For years, Massey’s work has represented the black community in the art world. Now the artist, whose work already hangs on the walls of Congress members and rock stars, will see his work hang from the necks of Olympians. Massey was one of 13 artists from around the world chosen to design a commemorative medal for the 1996 ,Summer Olympics in Atlanta. His design, The High Jump, depicts a young black woman – her back arched slightly, her knees bent – as her thighs begin to top the bar. He said his is the only medal that features an athlete of color. “I’m proud to be a role model,” Massey said. The High Jump will be cast in sterling silver and run two inches in diameter. The medals will go on sale in late March or early April, and remain available until after the Games end. The Olympic Committee expects to raise more than $20 million through the sale of the commemorative medals. Massey, a former Franklin Mint designer and sculptor, designed the mint’s first commemorative medal -a Mac arthur Memorial Medal- and went on to design more than 200 medallic designs for the mint. He began drawing at age 4, when he traced newspaper comic strips by holding them up to a window. Growing up with his mother and four siblings in Morton, Delaware County, the young artist used pen and paper to communicate with the world around him. One of his brothers communicated with sound. Once, Massey joined his musician brother at a jazz band rehearsal in the city, and found himself sketching John Coltrane and other greats of that era. After graduating from the Hussian School of Art in Philadelphia in 1950, Massey went into the comic book industry. There, he drew everything from science fiction tales to so many war stories “that I got battle-fatigued.” But without that experience the artist said, he doesn’t think he’d be where he is today. “As a comic book illustrator, I drew blood and guts all the time, but you got to do what you got to do,” Massey said. “Comic strips are behind all these works here today.” It’s hard to see that as one examines the paintings hanging in the artist’s home and gallery. The colors Massey uses are soft ones- pinks, greens, and yellows – that gently blend into each other, not the bold red and blues of the strips. The subject matter is different, too. A supernatural of a different kind is being appreciated in Massey’s work now. His “Genesis” series featuring orbs of orange fire and blue ice, are strong, spiritual works. The faces staring out from Massey’s canvases aren’t all unfamiliar. He used his grandson’s face as a model when he illustrated “My First Kwanzaa Book” a few years ago. A neighborhood girl modeled for the painting “African Woman in Bondage”, and it is his wife’s figure striking a proud pose in “Ashanti Woman”. The Olympic committee invited Massey to submit work to its competition after seeing a sculpture he did for the Statue of Liberty’s renovation project in the mid-1980’s.Massey’s bas-relief plaque showed two women arriving on Ellis Island from the French West Indies. As now, Massey’s work in the show was the only one depicting individuals of color. Although friends tell him it’s time to retire, Massey believes that age is a matter of arteries.” Besides, he can’t stop now: “I still have 200 more paintings to do” he said, gesturing to his filing cabinet.




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